A title, a lyric you remember, or that one remix.
New releases first, then earlier music.
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New songs, new versions, and the stories behind them.
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This started as one song. I separated the positive from the negative and rebuilt both from the same musical family. You decide which version plays first.
HELL HAS PEOPLE TOO gets the resentment, jealousy and fake support. Find Your People keeps the boundary and drops the bitterness. The instrumental sits between them so you can hear what they still have in common.
Kill You came from a completely different point in my life: teenage shock rap, recorded at 17, then brought back as a 2026 remix. The interesting part now isn't just the aggression. It's what was underneath it.
Before I stopped making rap music—not an oxymoron—I was about 20 or 21 when I counted more than 700 instrumentals and pieces of music I had made. Only a few instrumentals are public now, mostly on SoundCloud; the archive is much bigger than the surviving links make it look.
If a song gives me another idea, I build the other idea too.
MusicSubject × Call Me Daddy